Goodnight Mommy (German title Ich seh Ich seh, which translates to “I See I See”) feels like if Michael Haneke set out to emulate early Roman Polanski films. There’s something cold and calculated about the way the movie plays out, both on a visual and narrative level, but it’s an entirely human story. And that’s part of what makes it so freaking disturbing. Realistic, violent and detached, it plays out like a home invasion movie, but where any character could be the intruder in their own home. Continue reading